Stitch count
The single biggest factor. A larger, denser design needs more stitches and more machine time. A small left-chest logo and a full back design are different jobs.
Seven ways to put your mark on a garment — from a single monogrammed gift to a full run of embroidered company jackets. Every service below is produced at the Aurora Ave N shop.

Most requested
Your company mark, stitched onto polos, caps, aprons, workwear, fleece and jackets. The goal with logo work is consistency — the hundredth garment has to match the first, in placement, size and thread colour.
Small text and fine gradients are where most logos run into trouble. Thread has a minimum practical size, and detail below that closes up into a blur. You'll get a straight answer up front on whether your mark needs simplifying for the size you want, rather than discovering it after the run.

Club & event favourite
Morale patches, event badges, club crests and team patches, finished with a clean merrowed edge so they don't fray. Backing options cover iron-on, sew-on and hook-and-loop depending on whether the patch needs to move between garments.
Patches carry bold, graphic artwork better than almost any other format — strong shapes, limited colours and clear outlines. The Greenwood Car Show patch is a good example: two colours, heavy satin lettering, and a shaped border that holds its edge.
Gifts & keepsakes
Initials, names and dates on gifts, robes, towels, wedding items and keepsakes. Monogramming is the most personal work in the shop, and usually the most time-sensitive — it tends to be tied to a date that can't move.
There's real choice here that's worth talking through: script versus block, thread colour against fabric colour, and where the monogram sits on the piece. Those three decisions do most of the work in making it look considered rather than added on.
Specialty tier
Goldwork is the oldest and most demanding technique in the shop. Metal threads don't behave like rayon or polyester — they're stiffer, they catch the light differently, and much of the traditional work is couched by hand rather than passed straight through the fabric.
The result is a raised, light-catching surface that no flat stitch can imitate. It belongs on regalia, ceremonial pieces, badges of office and heirloom work — pieces meant to last and to be looked at closely. This work is quoted individually and takes longer than standard embroidery.
Full-colour artwork
Direct-to-film transfers handle the artwork embroidery can't: photographic images, gradients, fine text and unlimited colour counts. The design is printed onto film, then heat-pressed onto the garment.
DTF is usually the right answer for complex or full-colour designs, and for small runs where digitizing an intricate logo wouldn't be worth it. It sits flat on the fabric rather than raised, so it's a different look from thread — not a lesser one, just suited to different artwork.
Artistic work
Ornamental stitchwork for pieces where the embroidery itself is the point — not a logo applied to a garment. Borders, floral and geometric motifs, and decorative panels on clothing, home textiles and accessories.
This is open-ended work and it starts with a conversation about what you have in mind, what the piece is, and how much of it you want covered.
Heritage motifs
Traditional and regional motifs stitched with attention to how the pattern is actually supposed to sit — the spacing, the stitch direction, and the colour relationships that make a heritage design read as authentic rather than approximated.
Bring reference images or an existing piece and we'll work from those. If the pattern has rules, it's worth getting them right.
How Pricing Works
Embroidery isn't priced per item — it's priced on how much thread and machine time your design actually takes. Three things decide it.
The single biggest factor. A larger, denser design needs more stitches and more machine time. A small left-chest logo and a full back design are different jobs.
Caps, jackets and structured items take more setup than flat garments. Some fabrics need stabiliser or a slower run to hold the stitch cleanly.
Digitizing happens once, then the setup cost spreads across the run. Larger orders cost less per piece — but single items are always welcome.
Send your artwork with a rough quantity and garment type, and you'll get a real number back — not a range designed to get you on the phone.
Questions
Ready when you are
Describe what you're trying to make and you'll get a recommendation based on what will actually look best — embroidery, patch or DTF.